MANAGING THE ARTROOM
How Many Students Did You Say
I’m Going to Have? Part II
Nancy Walkup
We continue this month with a compilation of posts from school- artsroom.com on managing large class sizes.
ing bowls with clean water at the end
of class. While the leaders were at the
sink, a sponge was passed around each
table for each student to clean their
own place.
Anonymous Wrote:
I have a teeny classroom for the second year after twelve years of teaching K– 5. Part of my new management
style is using a clothespin to bundle
the projects according to tables, which
I do at the end of each class. The
clothespins also hold a piece of colored
foam that corresponds to the table
“color.” I always pre-label the young-est classes’ papers before they come
to class, with name, teacher code,
and table color . . . Cramped space is
loony. Principals who read this: Would
you want a fine dinner prepared in a
teeny cramped kitchen? Translate that
experience to making art. Elbow room
please!
Anonymous Wrote:
I taught over 1000 students a week,
pre-K through fifth . . . Tips: I had a
cup of already sharpened pencils—if
they needed a sharp one, they could
trade theirs in. I used the tempera
blocks for paint—they are so much
better than when they first came out
and have a great variety of colors. You
can leave them on the tables and don’t
have to constantly run around replac-ing paint, so you can spend the extra
seconds helping students. I did occasionally use liquid tempera for special
colors which I squirted onto paper
plates, then threw away at the end of
class. I had a “leader” dial on the wall
. . . Each table was assigned a number
and the leader for each table corresponded to the dial, changing weekly
. . . Leaders were responsible for getting water and brushes for their table
and then cleaning brushes and replac-
SOLE SISTER Wrote:
I would like to share with you my
book titled Craft$: For the No Budget
Art Teacher. There are several inexpensive low-budget
crafts that can
work with large
classes and not a
lot of mess! I primarily teach young
adults, but I run an
art summer camp that keeps me on
the move. I hope the book can help
with the budget cuts facing my fellow
art teachers.
TAB (Teaching for Artistic Behavior)
ideas. I set up six studios . . . There
is a studio for Build, Clay, Paint,
Study, Draw, and Collage. Studios
have “menus” for inspiration. I give a
five-minute lesson to start class. All
students have assigned jobs and work
in cooperative groups. Each student
keeps a portfolio, but they also choose
to work on group
projects. Classes
earn new materi-
als for their studios
through excellent
behavior, work
ethic, production,
clean up, etc. I use a digital timer,
music, and sounds to signal studio
work time and clean up time. It’s all
working pretty well, but I’m always
looking for ideas for improvement!
Would you want a fine
dinner prepared in a teeny
cramped kitchen? Translate
that experience to making
art. Elbow room please!
Julia Garnett Wrote:
I teach [K– 8]. I have many special
needs students mainstreamed into my
classes. I go to four buildings, and I
have about 1,300 students. My class
periods are thirty-five minutes long,
and there are nine classes a day. To
manage this I am using many of the
How do you manage class size in your
artroom? Join the discussion at www.
schoolartsroom.com.
Nancy Walkup is editor of SchoolArts
and an art teacher at W.S. Ryan Elementary School in Denton, Texas. nwalkup@
davisart.com