Japanese Aesthetics
To understand the art and aesthetics
of Japan, it is necessary to investigate
a Japanese world view, ideas about the
nature of art, and influences brought
about through contact with other
cultures. The aesthetics of Japan
developed in a unique fashion, partly
because of its geographic location—a
string of islands about 100 miles from
Korea and 500 miles from China. Its
isolation by the sea helped protect
Japan from foreign invasion and
allowed its rulers
to control contact with other
nations.
During long
periods of self-imposed isolation, art
forms and aesthetic ideas developed
that were specifically Japanese. Over
the centuries, when interactions with
foreign cultures occurred, they influenced the traditional arts and aesthetics of Japan. Traditional Japanese art
and aesthetics were most affected
by the Chinese and Buddhism, but
influences from the West are also
evident. For example, the Japanese
made no distinction between fine arts
and crafts prior to the introduction
of such ideas by Europeans in the
1870s. The Japanese word that best
approximates the meaning of “art” is
katachi. Katachi translates to mean
“form and design,” implying that art
is synonymous with living, functional
purpose, and spiritual simplicity.
Wabi-Sabi
Since wabi-sabi represents a comprehensive Japanese world view or aesthetic system, it is difficult to explain
precisely in Western terms. According
to author Leonard Koren, wabi-sabi is
the most conspic-
Wabi-sabi is characteristically uous and charac-
natural, irregular, intimate, teristic feature of
what we think of
unpretentious, earthy, as traditional Japa-
and simple. nese beauty, and it
“occupies roughly
the same position in the Japanese
pantheon of aesthetic values as do the
Greek ideals of beauty and perfection
in the West.”
The concepts of wabi-sabi correlate
with the concepts of Zen Buddhism,
as the first Japanese involved with
wabi-sabi were tea masters, priests,
and monks who practiced Zen. Zen
Buddhism originated in India, traveled to China in the sixth century,
and was first introduced in Japan
around the twelfth century. Zen
emphasizes “direct, intuitive insight
into transcendental truth beyond all
intellectual conception.” At the core
of wabi-sabi is the importance of transcending ways of looking and thinking about existence. Wabi-sabi is
characteristically natural, irregular,
intimate, unpretentious, earthy, and
simple.
Theory into Practice
As wabi-sabi once was the preeminent high-culture Japanese aesthetic,
a familiarity with its concepts is
essential for the understanding of
the Japanese tea ceremony. Introduce
your students to the Japanese tea ceremony and have them make summer
or winter tea bowls.
Resources
Koren, Leonard. Wabi-Sabi for Artists,
Designers, Poets & Philosophers.
Berkeley, California: Stone Bridge
Press, 1994.
Nancy Walkup is the editor of SchoolArts
and an art teacher at W.S. Ryan Elementary School in Denton, Texas. nwalkup@
verizon.net
nobleharbor.com/tea/chado/
WhatIsWabi-Sabi.htm
www.teahyakka.com/E.html