Meeting Individual Needs
IN AND OUT
Free-Form Weaving
Ranella Franklin
Ilove trying new techniques,
ideas, and activities with very
young children—they are always
so eager, willing, and forgiving, if necessary! Even the littlest
children should be presented with
opportunities for exploring the joys
of art materials often reserved for
older children. I certainly find this to
be true with my own students who
range in age from eighteen months
to three years, and who also have
various developmental disabilities.
Weaving engages students visually, tactually, and
kinesthetically,
so it is perfect for
children who are
functioning in the
sensory-motor
stage of development. Language
skills, both receptive and expressive, are also enhanced, and a natural
opportunity is provided to use both
hands to do different things in order
to achieve a common purpose.
readily, and, after a simple demonstration, were anxious to take
a loose end of fabric and stick it
through one of the openings in the
loom. They also knew to watch for
it coming out of the other side. Less
experienced children (though not
less enthusiastic) benefited from
hand-over-hand assistance, while
others required only moderate assistance to help hold the loom as they
poked and pulled.
When a child finished weaving
with one of the attached pieces of
fabric, I would
visually and verbally direct him
or her to another
one. Each piece of
fabric was woven
at least three times before a different
piece was started. After all strips of
fabric had been used, I tied the four
loose ends onto the loom with the
same simple knot that I had initially
tied each piece.
Though experience was my main
goal, many of the children seemed to
enjoy carrying their finished product
around the room with a sense of joy
and pride that I don’t typically see in
children this young.
Free-form weaving was a great
experience for my very young children, though children of any age
or ability would also enjoy it with
simple modifications such as the use
of more or fewer fabric strips, shorter
or longer strips, or thicker or thinner fabric. Using a bicycle wheel or
large, plastic milk crate would make
a fun group weaving loom—the ideas
are endless!
Weaving engages a
student visually, tactually,
and kinesthetically.
Preparation
• Cut fabric into strips. Parents are
a good resource for fabric donations and also for cutting the
strips.
• Tie one end of fabric strip to loom
(four strips per loom).
• Attach small piece of masking
tape folded over to make a
nametag on each loom
Procedure
Because the children in my class are
so young, my goal was to have them
experience the basic “in and out”
weaving process. I worked with each
child one-on-one, which allowed
me to meet individual needs. The
children who were competent “bead
threaders” understood the concept
Ranella Franklin is an early childhood
special education teacher at KinderFrogs
School, a laboratory school on the campus of Texas Christian University in Fort
Worth, Texas. r.franklin@tcu.edu
Top: Ashlyn Dahlke, age thirty months, with
teacher Ranella Franklin. Bottom: Travis Long,
age thirty-five months, finished weaving.
Materials
• individual looms: plastic frames
designed for holiday light storage were perfect. Other possibilities include the storage
frames for ribbon and lace, or
plastic baskets with openings
on the sides.
• assorted fabric (fabric should
be fairly stiff)
• masking tape
NATIONAL STANDARD
Students use different media, techniques, and processes to communicate ideas, experiences, and stories.
WEB LINK
www.montessoriworld.org/Hand-work/weave/ weaving1.html