Memory
Palaces
A memory palace is a memory tool used to remember
information, usually as visual images, in a sequence
that is logical to the person remembering it. In his
book, In the Palaces of Memory, George Johnson calls
them “. . . structure(s) for arranging knowledge.”
Marianne Wood
Last year I attended a session
at the Texas Art Education
Association’s annual conference entitled Memory, Identity, and the Art Educator. Melinda
Mayer talked about the ancient
practice of memory palaces and how
they connect to the work of museums and galleries today. I tucked
this intriguing idea away until today
when I presented my Memory Palace art activity to fourth-grade students from Jackson Elementary who
had come to tour our galleries last
week. As a follow-up to their visit to
my workplace, I visited theirs.
I asked students what things they
remembered from
their tour. I required
specific details like
color, shape, and
size. Then I told the
students the basic
history of memory palaces, which
are mental “structures for arranging
knowledge.” Next, we worked as a
group to build a memory palace.
With each student imagining his
or her own style of palace, I started
them off by suggesting that the first
room on the right, inside our palace,
is a parlor or small living room that
had a banner with Columbia, the
capital of South Carolina, on it.
A student then suggested that the
room on the left of the entry was a
bedroom that had a bedspread with
a zipper across a pair of lips. This
symbol reminds students not to talk
when others are speaking. A third
room, a kitchen at the back of the
palace, had an inscription across the
top of the wall: 8 x 8 = 64. Other
classes suggested attic rooms and
bathrooms with all sorts of information that might be hard to remember.
Next, I showed the students
some examples of palaces: Egyptian,
British, French, and Spanish. After
making sure that they understood
the terms, “palace” and “façade,” I
asked them to create small sketches
of at least three art objects they saw
on their tour of our galleries. They
colored these draw-
ings with markers
and/or crayons, and
cut them out. Then
they cut from
a single sheet
of construction paper a palace
façade. I showed them how to
cut windows and doors that
have hinges and fold out. Once
they had cut the façades and
openings, they glued their colored sketches under the openings onto 8½ x 11" ( 22 x 28 cm)
sheets of 67 lb. paper. Finally,
they glued the façades to the
paper. If you have a full hour,
architectural details can be
added with black pens or fine-tipped markers.
One of the teachers, Susan
Walker, suggested adding a writing
activity to the art project. Window
openings can be the portals for telling a story, perhaps of summer vacation. Lots of connections to language
arts, reading, social studies, and art
are possible with this lesson.
Marianne Wood is curator of education
at the Center for Contemporary Arts in
Abilene, Texas. marianne@center-arts.com
NATIONAL STANDARD
Students use visual structures and
functions of art to communicate
ideas.
Memory palaces are
mental “structures for
arranging knowledge.”
WEB LINK
www.wikihow.com/Build-a-Mem-ory-Palace