All Levels
Have you ever counted the
number of visual learners
in your classroom? Visual
learners are students who
learn best when images are incorporated into instruction. They usually
outnumber other kinds of learners.
Research tells us that the number
of visual learners in a typical classroom is usually well above fifty
percent.
• Use unlined paper in the landscape format to encourage nonlinear thinking.
• When using a graphic organizer
for the first time, demonstrate
the organizer and ask students as
a class group to contribute to the
content. Subsequent use should
allow students to work
alone or in small
groups.
Posters, slide shows, videos, diagrams, charts, written or illustrated
class notes, daily logs, to do lists,
and written instructions are all
helpful modes of teaching for visual
learners. Another form of instruction that is helpful for visual learners is the graphic organizer.
• Ask students to
record a main
topic to explore
such as the
title of a work
of art, an artist,
or an art style.
could be created
to investigate an
artist, art style, or
any art opics
Sometimes called “mind maps”
or “concept maps”, graphic organizers are illustrative tools that assist
with managing thoughts, direct-
• Invite students
to use their own
words to jot down
ideas about the topic or main
idea that is being explored.
Examples of Graphic Organizers
The Venn diagram is a well-known
example of a graphic organizer.
With two overlapping circles that
provide areas for finding similari-
ties and differences, the Venn dia-
gram is a particularly effective and
popular graphic organizer. Discuss
the use of graphic organizers with
other faculty members. Using
a format in art that is also
used in another content
area supports learning
across the curriculum.
If you wish to design
your own graphic orga-
nizer, a wide variety of
examples are readily avail-
able online. Using a search
engine to query the phrase
“graphic organizer” will return
hundreds of sites.
Visit the
Making Art Connections with
SchoolArts Web
site for an example
of a graphic orga-
Graphic Organizers
made for the
visual learner
Pam Stephens and Cindy Hermus
ing learning, and making connections. Graphic organizers, it seems,
are especially made for the visual
learner.
Key Points
Graphic organizers take many
forms. Some explore one idea
while others compare and contrast
multiple ideas. Some are teacher
made and others are student made.
Although all are similarly effective,
younger students or students with
limited experience are more apt to
benefit from teacher-made organizers. Older students or students with
experience might prefer to create
their own.
At this point, it is
more important
to write down
essential information than
it is to use
complete sentences.
some explore
one idea while
others compare
and contrast
multipl deas
• Finally, encourage students to
make connections
among their ideas. Introduce color coding, highlighting,
or using symbols such as arrows
or dotted lines to make connections. These connections assist
with organizing and later remembering crucial ideas.
nizer. The title
of an artwork
is written in the
center bubble while
details about the
object are written in the
surrounding bubbles. When
all necessary information
is collected and written,
students draw or make
connections between
the topic and the details
by adding color coding,
dotted lines, or other
symbols. A similar graphic
organizer could be created to
investigate an artist, art style,
or any variety of other art topics.
Creating a Graphic Organizer
When creating and using graphic
organizers, here are a few pointers
to keep in mind:
• When the graphic organizer is finished, students can use the information they have gathered for
such activities as writing reports,
developing wall text for exhibitions, and initiating classroom
discussions.
Pam Stephens is associate professor of art
education at Northern Arizona University,
Flagstaff, and an advisory board member
for SchoolArts. Cindy Hermus is an art
specialist at Shady Brook Elementary in
Bedford, Texas.
NatioNal StaNdard
Students make connections
between art and other disciplines.
Web liNk