Middle School Studio Lesson
Ar t
Patricia Huntington
from the Earth
Mali, West Africa, holds
many visual treasures
for the traveler willing
to forfeit the conveniences of modern society and slip
into the traditional world of the
Bambara people. One such treasure
is Bogolan cloth, a traditional textile
made with bold geometrical patterns dyed with black mud, brown
tree bark, and bleach. I visited a
Bogolan workshop in Segou, Mali
and learned traditional methods of
mud cloth production.
The Legend
Legend says that a hunter shot some
game, which fell into a river. The
hunter retrieved his game and found
his tunic stained black. His wife
diligently tried to clean the stains,
but the black dye was permanent.
Based on this legend, women began
to use the tannic acid in the mud to
add geomet-
rical designs
to cot-
ton cloth.
Eventually,
the cloths
became sto-
ryboards for
moral lessons, such as following a
straight and honest path, or honor-
ing family and community.
Students apply red mud to fabric.
The Traditional Process
Mud cloth production starts with
white strips of cotton fabric that are
sewn together to form a large rectangle. The white cloth is then dyed
in a bath
A Bogolan cloth made by the of pounded
Bambara people of Mali is a leaves
textile made with bold geometrical from the
N’galema
patterns dyed with black mud, tree, which
brown tree bark, and bleach. saturates
the cloth
with a yellow ochre color. Geo-
metrical designs are lightly marked
on the fabric, and color is applied
to individual sections. Black comes
from river mud, and red ochre is
made from soaked bark of the Picu
tree. White is the last color, created
by bleaching sections of the yellow
ochre cloth. The final result is a
graphic display of geometrical patterns that show strong contrast and
balance.
Adaptations for Classroom Use
This project worked successfully
in middle school and grades four
through six. Ideally there is one
class for planning the design, then
a class for each of the colors (black,
brown, and white)
Traditional African mud cloth from Mali.
1. Dye fabric. Hot water is reco-mended, but I have done this successfully in the classroom with
warm tap water and double the
suggested amount of dye.
2. Students sketch their designs on
paper and fill in all colors.
3. Students lightly sketch their
designs onto the dyed cloth with
pencil.
4. Prepare mud/dye by mixing
water, clay, and fabric ink. The
consistency should be like
yogurt, easy to spread but not